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NEW QUESTION: 1
You have an Azure subscription that contains 100 virtual machines. Azure Diagnostics is enabled on all the virtual machines.
You are planning the monitoring of Azure services in the subscription.
You need to retrieve the following details:
* Identify the user who deleted a virtual machine three weeks ago.
* Query the security events of a virtual machine that runs Windows Server 2016.
What should you use in Azure Monitor? To answer, drag the appropriate configuration settings to the correct details. Each configuration setting may be used once, more than once, or not at all. You may need to drag the split bar between panes or scroll to view content.
NOTE: Each correct selection is worth one point.

Answer:
Explanation:

Explanation

Box1: Activity log
Azure activity logs provide insight into the operations that were performed on resources in your subscription.
Activity logs were previously known as "audit logs" or "operational logs," because they report control-plane events for your subscriptions.
Activity logs help you determine the "what, who, and when" for write operations (that is, PUT, POST, or DELETE).
Box 2: Logs
Log Integration collects Azure diagnostics from your Windows virtual machines, Azure activity logs, Azure Security Center alerts, and Azure resource provider logs. This integration provides a unified dashboard for all your assets, whether they're on-premises or in the cloud, so that you can aggregate, correlate, analyze, and alert for security events.
References:
https://docs.microsoft.com/en-us/azure/security/azure-log-audit

NEW QUESTION: 2
Which product group within HPE Security software is designed to ensure that data and Intellectual
Property is useless to attackers if compromised, yet still be able to be used by business processes?
A. HPE ArcSight
B. HPE Fortify
C. Threat Central
D. HPE Security - Data Security
Answer: B

NEW QUESTION: 3
Which of the following statements are correct regarding default gateway of PC in the network running VRRP?
A. Configure two gateways for the Pc which are the IP addresses of Master and Slave.
B. Configure only one gateway for the PC which is the IP address of virtual router.
C. Configure three gateways for the PC which are the IP addresses of Master, Slave and virtual router.
D. Configure only one gateway for the PC which is the IP address of Master.
Answer: B

NEW QUESTION: 4
The origin of the attempt to distinguish early from modern music and to establish the canons of performance practice for each lies in the eighteenth century. In the first half of that century, when Telemann and Bach ran the collegium musicum in Leipzig, Germany, they performed their own and other modern music. In the German universities of the early twentieth century, however, the reconstituted collegium musicum devoted itself to performing music from the centuries before the beginning of the
"standard repertory," by which was understood music from before the time of Bach and Handel. Alongside this modern collegium musicum, German musicologists developed the historical sub-discipline known as
"performance practice," which included the deciphering of obsolete musical notation and its transcription into modern notation, the study of obsolete instruments, and the re-establishment of lost oral traditions associated with those forgotten repertories. The cutoff date for this study was understood to be around
1750, the year of Bach's death, since the music of Bach, Handel, Telemann and their contemporaries did call for obsolete instruments and voices and unannotated performing traditions - for instance, the spontaneous realization of vocal and instrumental melodic ornamentation. Furthermore, with a few exceptions, late baroque music had ceased to be performed for nearly a century, and the orally transmitted performing traditions associated with it were forgotten as a result. In contrast, the notation in the music of Haydn and Mozart from the second half of the eighteenth century was more complete than in the earlier styles, and the instruments seemed familiar, so no "special" knowledge appeared necessary. Also, the music of Haydn and Mozart, having never ceased to be performed, had maintained some kind of oral tradition of performance practice. Beginning around 1960, however, early-music performers began to encroach upon the music of Haydn, Mozart, and Beethoven. Why? Scholars studying performance practice had discovered that the living oral traditions associated with the Viennese classics frequently could not be traced to the eighteenth century and that there were nearly as many performance mysteries to solve for music after 1750 as for earlier repertories. Furthermore, more and more young singers and instrumentalists became attracted to early music, and as many of them graduated from student- amateur to professional status, the technical level of early-music performances took a giant leap forward. As professional early-music groups, building on these developments, expanded their repertories to include later music, the mainstream protested vehemently. The differences between the two camps extended beyond the question of which instruments to use to the more critical matter of style and delivery. At the heart of their disagreement is whether historical knowledge about performing traditions is a prerequisite for proper interpretation of music or whether it merely creates an obstacle to inspired musical tradition.
Which of the following is the most appropriate title for the passage?
A. "How Far Should Early Music Extend?"
B. "Performance Practice: The Legacy of the German Collegium Musicum"
C. "Unannotated Performing Traditions of the Eighteenth and Twentieth Centuries"
D. "Performance Practice and New Interpretations of the Viennese Classics"
E. "Competing Views on the Necessity of Historical Knowledge for Inspired Musical Tradition"
Answer: A
Explanation:
Explanation/Reference:
Explanation:
The author's primary concern in the passage is to trace the scope of works included in performance practice from the early twentieth century to the latter half of the century. The author identifies and explains the reasons for the trend of including later works within the scope of socalled "early music" (second and third paragraphs), then refers (in the final paragraph) to a controversy surrounding this trend. Choice D.
reflects the author's primary concern as well as embracing the controversy.